Showing posts with label Listen To Your Mother. Show all posts
Showing posts with label Listen To Your Mother. Show all posts

Sunday, May 10, 2015

Listen to Your Mother: "Do You Know How Much Your Daughter Loves You?"

Yesterday, I had the great privilege of sharing a stage with a dozen talented writers, as we brought the inaugural show of LISTEN TO YOUR MOTHER to Southwest Michigan.  I am so grateful to Kim Jorgensen Gane for having the vision to bring the show here, and to her co-producers Meagan Francis and Beth Haire-Lewis, for putting on such a heartfelt production.

This was the piece I presented, which, according to my father, "made his eyes leak a little bit." Happy Mother's Day, Mom...



DO YOU KNOW HOW MUCH YOUR DAUGHTER LOVES YOU?
“I’ve been thinking of my mother a lot lately,” Mom says as I walk in the door. “You’d have liked her. She was here. You just missed her.”

“No, Mom,” I say in the tone of voice I’ve heard shrews use to neuter their husbands – rich with condescension, laced with exasperation. It’s a tone I never once heard her use on my father. I hate that tone. I try to sing a new song.

“Mom... Grandma couldn’t have just been here. She’s been gone a long time. Grandpa, too. Remember?”

Mom and me: I'm 2 weeks old.
Mom peers at me. Focused. Deliberate. Concentrating on remembering. Finally: “I know that.”

And she does know. For ten, maybe fifteen minutes. Then her eyelids start to close, like an owl in the daytime, blinding her to the present and returning her to her murky thoughts.


Long ago when I had more time than money, I bought a sweater and cross-stitched a floral design on the front of it as a Christmas present for Mom. The sweater wasn’t expensive. Though the needlework I added was involved, I enjoyed doing it because I knew my mother would like it. When she unwrapped the gift on Christmas morning, her joyful reaction made the extra effort I’d put into the stitching worthwhile.

To be honest, I didn’t think about the sweater much afterward. My husband and I returned to our home 500 miles away and picked up our routines where we’d left them.

About a year later, Mom related a conversation that she’d had with a colleague at work. When asked where she had gotten her sweater, Mom explained that I had done the design. Her co-worker examined the stitching closely, then said, “Do you have any idea how much your daughter loves you?”

Mom beamed as she told the story. But it made me wonder. Does my mother know how much I love her?

I remember “helping out” in the kitchen when I was too small to see over the countertop. Mom’s friends would shake their heads. How could she stand to bake with me in the way? She never listened to those who said she could get things done faster if I weren’t underfoot. Instead, she let me sift the flour and the soda, pack down the brown sugar, and measure spices. Today, my kitchen is one of my favorite places. I owe my love of cooking to my mother. Does she know?

One of Mom’s mottoes has always been: “if something is worth doing, it’s worth doing right.” I heard it every time I didn’t want to finish a project I’d agreed to do. I heard it every time I tried something and wanted to give up. Mom’s mantra has shaped my attitude toward work and toward myself. I owe my sense of commitment to my mother. Does she know?

My mother is a deeply spiritual person. Me? I still struggle with the idea of putting myself in the hands of Someone beyond me whom I can’t see or hold on to.

Shortly after she married, Mom chose to change churches, shifting from the denomination she and my father shared to a completely different theology. Now, more than half a century later, suffering from the debilitating effects of a serious fall last summer, compounded with Parkinson’s and dementia, she has remained firmly grounded in her faith.

In our little country church, Mom held a multitude of offices including organist, teacher, lay speaker, and treasurer. She arrived early and stayed late every week. And, when I lived at home, so did I. For years, I begrudged my attendance. Yet, Mom’s unshakable love for God led me to love him too. Does she know?

Mom and me a year later.
Does she know how fortunate I feel to have grown up in a loving home? How lucky I count myself to have had her and my father as parents? Their example as best friends and partners for the fifty-three years of their marriage has been a priceless foundation for my own.

Mom showed me how to disagree without anger, how to stand firm without defiance, and how to forge a vibrant love that does not fade with time. My relationship with my husband is stronger because my mother showed me that nothing on earth is better than a good marriage. I hope she knows.


Some days, Mom knows who I am. Some days...

On the days she doesn’t, she talks to me as if I am one of the aides in the elder care facility where she lives, or one of my school friends, or one of her friends from Pennsylvania. More and more, lately, she is unaware of what she doesn’t know.

And yet...

Mom still has her sweater. It remains one of her favorite things and it still looks great – after all this time. Even when she doesn’t know who I am, she knows I made it for her. When she wears it, she’ll point to the needlework and say, “Do I know how much my daughter loves me?” And I smile. Because I think she does.

I’ve been thinking of my mother a lot lately. You’d have liked her. She was here. You just missed her.

Tuesday, April 28, 2015

Confessions of a Local Stage-Play Producer - Part II

An Interview with SW Michigan's "Listen To Your Mother" Producer Kim Jorgensen Gane 


This is the second part of a two-part interview with author, educator, and consultant Kim Jorgensen Gane, discussing her experience as a first time stage-play producer, bringing "Listen To Your Mother" to Southwest Michigan. (Read Part I.)

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Ami: What are some of the challenges you faced with this production? How did you meet them?


Kim: We face similar challenges producing this show today that my husband and I experienced fifteen years ago when we owned a restaurant in downtown Benton Harbor. Berrien County is an incredibly diverse community, yet Benton Harbor and St. Joseph remain pretty segregated. This bothered me as a child, and it was a situation I worked hard to combat in our restaurant. 

After living other places, this is something that has stayed with me, motivating me in our inaugural season to focus on outreach and inclusion. The fact that this was a directive handed down by our national team across the country only made me more determined to find a way to make it work here. They wanted all the voices of motherhood represented, and I did, too.


I called Beth Haire-Lewis, who emcees and co-chairs the annual "Gene Harris: Coming Home, Coming Together Concert," has appeared in "The Vagina Monologues" locally, and sings with the band Sankofa. We had a very frank discussion, and I asked her to help me fulfill my vision of producing a show that represents our two communities as equally as possible, while first and foremost providing great entertainment. Without any previous experience with Listen to Your Mother to bank on, she took a big leap of faith when she agreed. 

Meagan Francis was a part of the NW Indiana cast in 2011, so she already knows what's special and incredible and life-changing about Listen to Your Mother. And she’s a big fan of community theater, recently playing Alma in The Christmas Schooner, with an impressive online following. When the national team put us in touch, we were both like, “You mean there’s another blogger in St. Joe?!” Meagan believed in what we wanted to do with every piece of her heart, too. We three make a great team.

And we’ve all been blown away by how beyond our expectations the local talent has delivered. And we’re thrilled to give these thirteen amazing writers and performers, some of them for the first time, a stage. And a microphone. 


Key Takeaway: Don't try to do it on your own. When faced with challenging circumstances, enlist the help of those who have shown themselves capable of meeting those challenges head-on. Build your team!




Ami: What advice would you give potential producers for casting amateurs?

Kim: I certainly can’t speak as an expert. But we’ve learned a few things that I hope we’ll improve upon in future years. 

I think the word “audition” can be a little off-putting for those who’ve never dreamed of doing this before, but who have a story they feel compelled to share—and story is what Listen to Your Mother is all about. It’s so very different from anything else we’ve seen. 

Some of our auditioners interpreted our call for auditions like a homework assignment. We tried to convey that it’s more about a moment that defines motherhood for you. And we tried to convince everyone that it’s so much more than a show by mothers for mothers. Even so, we only had one man audition--John Berecz--but his story was wonderful and we cast him. 

We’re open and we want you to succeed. We happen to be moms, but we were all something before we were moms. And we’re just regular people. I think we create a welcoming, supportive audition experience, at least I hope we do. 

Though it’s natural for our first cast to come largely from our direct circles of influence, I’m hoping, after a year under our belts we’ll be able to reach out further into the community. I hope after seeing a show folks will better understand what it is we’re looking for. As difficult as it was for us to choose among the auditions we heard this year, I can’t imagine what that process will be like later on.  

Key Takeaway: When casting amateurs, a supportive environment holds the key to success.
 


Ami: What tips do you have for finding and working with local sponsors?

Kim: Oy! Well, I’ve learned that I have a bit of a social anxiety about picking up the phone, which is not conducive to connecting with potential sponsors. 

But what if no one comes to my party!?
There’s a story in my past, about not being invited to a party in kindergarten, about being turned away at the door by the birthday boy while my best friend wiggled her fingers from mine and stepped inside. This translates into me being afraid nobody wants to come to my parties either. It’s often paralyzing and it’s something I’ll be working to further conquer before next year. 

It helps that I know and love a number of business owners who have been incredibly supportive. And I have Meagan as my secret weapon. She reached out to Celebration Cinema and got them on board as a major local sponsor, for which we’re so grateful. 

But one of our favorite things about Listen to Your Mother is the charitable aspect of the movement. 

Since 2010, they’ve raised over $50,000 for local charities that impact women and children in the communities that welcome the show. So, I guess, first pick a great charity partner. We certainly did. Readiness Center, Inc. is so easy to go to bat for. It’s because of them that we found some of our cast members, and some wonderful support from Brenda Layne at WSJM, and from The Herald Palladium (local media). Which is unusual for a first year show. But we had an idea that this community would welcome LTYM with open arms. And they have.

Key Takeaway: Don't let past problems or present anxieties hold you back. Your sponsors become your partners in producing a show you believe in.


Ami: What have you learned that you wish you’d known going into this project?

Kim: I think we’ve all learned SO, so much. As I’ve watched the seeds of our vision blossom into the show we’ll be putting on for Southwest Michigan on May 9th, I’ve learned to trust myself. And to put my trust in others.

I’m not terribly good at delegating, and that’s something I hope to improve upon in future years, too. 

It was a huge risk just auditioning in Northwest Indiana last year, and I’ve enjoyed some major payoffs. I’m sure Meagan would say the same thing of her experience in 2011. 

Even if I wouldn’t have been cast in the show, the experience of auditioning—of sharing my words and my truth, however difficult it was, out loud—was life-changing by itself. I didn’t crumble. The earth didn’t swallow me whole. Lovelyn Palm (NW Indiana director/producer) didn’t turn me away at the door. She didn’t point her finger at me and shout, “YOU WEREN’T INVITED!” Rather, tears filled her eyes. She laughed in all the right places. And she heard me. I want to gift that experience to as many other deserving writers in my community as I possibly can.

Key Takeaway: There is always room for improvement. There is always room for growth. And you can always look forward to the next production for both.

Thanks so much to Kim Jorgensen Gane for this interview. 
Have experience with producing using amateur, local talent? What key takeaways did YOU get from the experience?

Monday, April 27, 2015

Confessions of a Local Stage-Play Producer - Part I

An Interview with SW Michigan's "Listen To Your Mother" Producer Kim Jorgensen Gane 
 
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Kim Jorgensen Gane / photo: Scott R. Gane Photography
   I am so happy to introduce you to my friend Kim Jorgensen Gane.

Kim is a writer and coach, as well a communications, media, and wellness consultant living and working on Michigan’s sunset coast with her husband, son, a standard poodle and a gecko. She’s been every-mom, raising two generations of kids over twenty-seven years.

Kim writes on a variety of topics including parenting through midlife crisis, infertility, health and wellness, personal empowerment, politics, and about anything else that interests her, including flash fiction and her books in progress. She loves to promote the work of talented local writers and artists. She can’t wait to do so as Co-Director/Producer of Southwest Michigan’s first production of "Listen to Your Mother." Her website is GANEPossible.com. Follow @KimGANEPossible on Twitter.

Kim co-facilitates #Write2TheEnd Writers Workshop™ with me, and, as you can see, does SO much more. I'm grateful she took the time out of her busy schedule to talk about her experience as a first-time producer.

Kim is a tireless advocate for building an open, diverse, thriving community. Today features the first part of my interview with her. Part II will run tomorrow. Enjoy! 

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Kim:  When my oldest was in middle school, I took time out of restaurant ownership to chaperone her eighth grade choir on a trip to see “The Producers” in Chicago at the Lincoln Theater. The tickets were deeply discounted and we got to see the original cast, with Nathan Lane and Matthew Broderick. It was fantastic! Even if, during the “gay” scene and after a couple of F-bombs, her teacher pulled us all out of our nosebleed seats into the hallway.
Sing with me: "I wanna be a producer!"

She was trying to whisper and still be heard by our entire disappointed gaggle, “I'm rethinking whether or not we should be here [with a bunch of 13-year-olds]. I asked the box office when I called whether this was an appropriate show for eighth graders.”

Our rather intense discussions were met with loud intermittent shushing from the usher. And then from an audience member or two, amid the fits of laughter that leaked out each time the door was pushed open.

My daughter and I weren’t missing the rest of the show for anything. A couple of other parents and I stayed at the theater with a group of kids who thought (or pretended to think) their parents wouldn’t care. The choir director and another group of parents and students went back to ride the escalators at Water Tower a few dozen more times.

The oldest and I need a do-over. Even after missing some of the best parts of the show, I’m still glad we went. But never, not one time during the show or ever in the years since, did I sing to myself, “I want to be a producer…,” and mean it.


Ami:  So: "Listen to Your Mother." What’s it all about?

Kim: Listen to Your Mother (LTYM) began with one show in Madison, Wisconsin in 2010. Founder and national director, Ann Imig, thought moms deserved more than just brunch on Mother's Day. She wanted to give moms a microphone. And boy, has the show resonated! 

In the years since, this movement has grown, with over 1000 individual past readings available for viewing on the LTYM YouTube channel. 

The 2015 season begins this weekend in some of our 38 cities across the U.S., but our local show isn’t until Saturday, May 9th. And LTYM isn’t just by moms, for moms. Anyone who's ever had a mother, known a mother, missed a mother, or wanted to be one will delight in this array of local writers reading their own stories about the truths of motherhood. And 10% of our tickets sales benefit the programs at Readiness Center, Inc. An amazing local charity that supports families in Benton Harbor in choosing education as a way out of poverty. 

Key Takeaway: Before you commit to something, know what it is and what it stands for.



Ami: What is your connection to "Listen To Your Mother?" When did your involvement with the show begin?

Kim: I belong to a very active and prolific group of midlife women bloggers. Several of them had participated in "Listen to Your Mother" in past seasons and, of course, had written about it. Patty Chang Anker included her audition experience in her book, SOME NERVE: Lessons Learned While Becoming Brave. Well, brave was something I needed desperately. Her book and her friendship has meant a great deal to me in many areas of my life, and certainly in the case of Listen to Your Mother. 

I visited the website, considered Chicago, but figured the competition would be incredibly stiff. So I auditioned in Northwest Indiana, and my story was selected for the 2014 cast. 
Key Takeaway: There is no bonus for flying blind. Do your homework. Whenever possible, try to see things from your cast's point of view.




Ami: Why did you want to bring this show to your hometown?


Kim: It’s difficult to describe the experience of standing on a stage and reading your own words about something so full of pain, pleasure, doubt, mystique, heartbreak, humor, and joy. 

My story in 2014 was about being suicidal as a young single mother. But it was about so much more than that. It was about survival, and the triumph of enjoying the family of grown, married daughters and young son I share with my husband today. The experience is one, as a reader, you gift the whole audience. And you feel their energy in return, so the process gives and receives. The audience rises with your joy, and their hearts break with yours. I wrote about that “Me, too” experience and compared it to a stand of Aspens—one organism, all connected at the roots. It’s incredible. 

I knew the moment I stepped on that stage that I wanted to bring it to my hometown. That I needed to. I wanted my community, particularly Benton Harbor and St. Joseph, to have that same experience of bonding through motherhood—a topic we all understand, yet experience in many different ways.

Key Takeaway: Passion drives the production.

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Tune in tomorrow for Part II of "Confessions of a Local Stage-Play Producer!